THEATRE PERFORMANCES

Peggy and Debra have visited Tokyo, Berlin, Thailand, London, and even an Amish Farm once (it was weird). But now that Debra’s getting married and moving to the other side of the city, Peggy is worried that their trip to Paris will be their last, so she’s determined to cement their friendship by having the best trip ever! That is…until Debra meets a sexy Frenchman named Dmetri. The Tourists is a play about friendship, mortality, and Paris.

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Ancient epic turned novella turned play, Margaret Atwood’s The Penelopiad recounts Homer’s Greek poem from the perspective of Odysseus’s wife, Penelope. The curtain rises on the ashen depths of Hades where the spectre of Penelope is adrift in the afterlife. Addressing the audience directly, Penelope tells us the story of her life. She recounts her fraught relationship with her parents and her jealousy over her cousin Helen’s acclaimed beauty. She shows how Odysseus wins her hand in marriage and tells us of the two sailing away to his home, Ithaca. Soon after the birth of their son, Telemachus, Odysseus is summoned to Troy to fight for the Greeks in the Trojan war.

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18-year-old Samantha Brown sits in a hand-me-down car with the keys clutched in her hand. Caught between a yearning for the unknown and feeling bound by expectation, she telescopes back to a time before her world had fallen apart. As she relives her senior year, we meet Sam’s well-intentioned helicopter mother Bev and her high school sweetheart of a boyfriend Adam, but it’s her painfully alive best friend Kelly that haunts her. Kelly was everything Sam is not – impetuous and daring. She pushed Sam to break rules and do the unexpected. When Kelly is killed in a car wreck, Sam loses not only her best friend but also the part of herself that was learning to be brave. Now, Sam has to make a decision: Will she follow her mother’s dreams for her, or will she summon the courage to drive away from her friends and family into a future she can’t imagine? 

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Good intentions collide with absurd assumptions in Larissa FastHorse’s wickedly funny satire, as a troupe of terminally “woke” teaching artists scrambles to create a pageant that somehow manages to celebrate both Turkey Day and Native American Heritage Month. The American origin story sits unassumingly in the crosshairs of blunt comedy in this biting examination of well-meaning political correctness, the awkwardness of culturally appropriative missteps, and the surprisingly insurmountable challenge to devise an elementary school pageant free of unintentional offenses.

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When four lost New Englanders who enroll in Marty’s six-week-long community-center drama class begin to experiment with harmless games, hearts are quietly torn apart, and tiny wars of epic proportions are waged and won. A beautifully crafted diorama, a petri dish in which we see, with hilarious detail and clarity, the antic sadness of a motley quintet.

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Inspired by the true events surrounding the 1923 Broadway debut of Sholem Asch’s God of Vengeance, a flashpoint in Jewish and queer theatrical history, Indecent follows the history of the play itself and the artists who risked their careers and lives to perform it.  

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She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes finds Tilly’s Dungeons & Dragons notebook, however, she finds herself catapulted into a journey of discovery and action-packed adventure in the imaginary world that was her sister’s refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and ’90s pop culture, acclaimed playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

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