View-at-home FOREIGN FILM SERIES
As we look forward to the time when we can once again experience the joy of watching films together on campus, the UW-Parkside Foreign Film Series is offering FFS patrons a free view-at-home series during the 2020–2021 academic year
HOW IT WORKS
One week prior to a film’s availability we will email everyone on our Foreign Film Series email list with information about the film. We will also display the information about the film on this webpage. If you haven't yet, be sure to join the mailing list to receive these email alerts.
NOTE: We strongly recommend that you provide us with your email address even if you are not interested in the view-at-home program. Going forward, the UW-Parkside FFS will increasingly use email to communicate with its patrons.
If you are interested in receiving access to the view-at-home screening of the film, follow the link in the email or use the link in the film description on this webpage that will be posted one week prior to the film’s availability.
We will respond by sending you an email containing a link and a password at no charge to you. Viewing-at-home is as easy as clicking on the link and entering the password.
Each film will be available for viewing-at-home during a fixed one-week window.
Most patrons will choose to use their PC or similar device, but it may be possible to view-at-home on a smart TV. While we do not expect any problems, we are not prepared to resolve technical issues that might arise.
The number of passwords is strictly limited and will be awarded on a first-come first-served basis.
Do not request a password unless you know you will be using it. Otherwise, you may be preventing a fellow patron from enjoying the film.
FILMS AND DATES
There will be five films in the 2020–2021 view-at-home program. The first film will be available starting Nov 12. Patrons will receive an email on Nov 5 with details.
Nov 12 | Dec 3
Feb 11 | Mar 4 | Mar 25
FILM DISCUSSION GROUP
Joe Benson will lead a virtual (online) film discussion at the end of each semester. Watch this space for more details.
2019–2020 SEASON TICKET HOLDERS
Patrons who purchased a season pass to the 2019–2020 season should hold on to their tickets. When we get back to screening films on campus we will reschedule the final three films in the last year’s program.
SUPPORT AFFORDABLE ACCESS TO FOREIGN FILM
The 2020–2021 view-at-home program is being offered free to FFS patrons. However, the cost of providing this program – film licensing fees along with mailing and labor cost – is far from free.
To help us defray the cost of the program, we are seeking support from patrons like you. Donations can be made online or by mail.
WE ARE PROUD TO ANNOUNCE
In Star Wars: The Triumph of Nerd Culture, Josef Benson offers an unauthorized and provocative expose of the most popular film franchise of all time. Fueled by George Lucas’s insecurities and a fervent fan-base who felt betrayed when Lucas defiled the original films, Benson presents the conflict between Lucas and Star Wars fans as comparable to the twisted relationship between Darth Vader and Luke Skywalker. Just as there is a riveting saga within the Star Wars universe that centers on the rise and fall of Anakin Skywalker and the redemption of Darth Vader, so too has a saga unfolded in relation to George Lucas and Star Wars fandom.
Star Wars fans both love and hate Star Wars and George Lucas. He is equally responsible for their pleasure and pain. Star Wars: The Triumph of Nerd Culture delves deeper into the Star Wars universe than any book has gone before, including an illuminating look into why Lucas sold Lucasfilm to the Disney Corporation and how the sale affected the franchise. After reading this book, fans will never be able to watch Star Wars in the same way again.
Future releases will be announced by email and detailed below one week prior to a film’s availability.
Nov 12 | Dec 3 | Feb 11 | Mar 4 | Mar 25
The Tall Blond Man with One Black Shoe
France | 1972 | Yves Robert | French language | 90 min
Available to stream December 3-9
Considered the film that launched French director Yves Robert (My Mother’s Castle and My Father’s Glory) into the international spotlight, this film takes an idea out of Hitchcock’s North by Northwest—an innocent man is mistaken for a government agent and targeted by the enemy—and gives it a cynical twist and a comic treatment closer to the Pink Panther films.
A frothy French farce, The Tall Blond Man with One Black Shoe is a classic madcap comedy about espionage, surveillance and mistaken identity. When Francois, an unsuspecting violinist, is misidentified as a superspy by national intelligence, outrageous antics ensue. As everyone falls over each other in their misguided attempts to discover the tall blond man’s secrets, his best friend complicates matters even further when he overhears a salacious recording of Francois with his wife. The whole merry-go-round comes crashing to a halt in one final showdown, pitting spy versus supposed-spy with hilarious results. Elegantly filmed and accompanied by a memorable score, The Tall Blond Man with One Black Shoe is one of the seminal comedies of the 1970s.
REQUEST ACCES – SOLD OUT
Netherlands | 1995 | Marleen Gorris | Dutch language | 102 mins
Streamed Nov 12-18
To kick off our free view-at-home program we’ve gone back into our archives and selected Antonia’s Line, a fan favorite from the 1996-1997 UW-Parkside Foreign Film Series and winner of the 1996 Oscar for Best Foreign Language Film.
In the aftermath of WWII, strong-willed Antonia returns to her small hometown to bury her mother and inherit her mother’s farm. Antonia, joined by her free-spirited artist daughter Danielle, ingratiate themselves with the town’s tight-knit and eccentric community. As the years unfold, love and tragedy come to Antonia and Danielle and the pair foster a vibrant circle of strong, liberated women. By the end of the film, we have traveled through fifty years of modern life, through trends and controversies, fads and fashions. However, what we remember is the way Antonia's extended family grows. Children and grandchildren, in-laws and outlaws, neighbors, friends and drifters all come to sit at her long dinner table and learn the same simple rule, which is to look for the good in others - and to not criticize those who have found a way to be happy without seriously bothering anybody.
The UW-Parkside Foreign Film Series does not provide ratings generated by the Motion Picture Association of America. Many foreign films have not received ratings from the MPAA, and the rating system itself may not reflect the sensibilities of our patrons.
For FFS patrons who are interested in taking children to one of our films, we recommend that they visit kids-in-mind for more information about a film's violence, sex, and profanity content. This site, however, does not include films that have not received a MPAA rating. In those cases where MPAA ratings are not available we encourage patrons to read reviews.
Since 1968, the University of Wisconsin-Parkside has continued to build a reputation as an outstanding liberal arts institution with particularly strong fine arts programs. With The Rita Tallent Picken Center for Arts & Humanities, our state-of-the-art instructional facilities and stunning performance venues match our award-winning academic programs and provide even greater community access. Learn more about The Rita.