At Parkside, students enjoy the full academic and musical challenge of a larger institution while retaining the advantage of close student-faculty relationships.
The Music Department is staffed by a faculty of highly qualified teaching performers who have concert experience and are active in teaching, service, research, and performance.
The objective of the music minor is to provide students from any area of study with the opportunity to be introduced to the field of music through theoretical, historical and performance experiences.
An audition is required for acceptance in the minor.
Learn more about the Music Department at Parkside.
Program Entry Auditions
Auditions are required for entry into the Music major and minor. The Music Department is inviting prospective Music majors (and minors) to submit video auditions. Students who would prefer to audition live, in-person on the UW-Parkside campus may do so.
Parkside has many great academic and talent scholarships for music students, and your initial application serves as an application for general Parkside scholarships and grants.
Even more scholarships are available to music majors, minors, and ensemble members. Music Department scholarships are competitive and valuable. In fact, the value of these scholarships may be awarded up to the full cost of tuition for exceptional student musicians.
Learning in Action
As a music major at Parkside, you'll benefit from:
- Personal and individual attention by a faculty of dedicated, first-class musicians and educators
- Career oriented curriculum
- Unique Music Education Program (all courses in music)
- Performance opportunities with over 60 concerts per academic year
- Professional experience by guest artists and master classes
- State of the art facilities
- Large ensembles open to all campus students
Careers after Parkside
Career opportunities for teaching music include instruction at the elementary, secondary, and university levels and independently with the opportunity to establish privately owned music studios. Many musicians who perform professionally can do so on a part-time basis opening up fields beyond teaching and performing.
Opportunities exist in many related areas such as music publishing, radio and television, arts management, recording engineering, and various other aspects of the music industry.
See what our students have to say.
PROGRAM CONTACT INFO
Laura Rexroth | email@example.com
Ami has performed soprano favorites and premieres in opera and musical theater with such venues as Skylight Opera Theatre, Ash Lawn Opera Festival, Opera Theater of Pittsburgh, New York Japan Society, Operafestival di Roma, Dorian Opera Theater, Milwaukee Opera Theater, Theatre X, and locally with Music and More Concert Series, Belle Ensemble, Racine Symphony, Racine Theatre Guild, and Kenosha Symphony. Premieres have included works by composers Dr. Jorge Muniz, Ayesu Lartey, and Ruben Prieto. Former awards include those from Gerda Lissner International Vocal Competition, Metropolitan Opera District Auditions, National Association of Teachers of Singing, Kenosha Symphony, and Milwaukee Civic Music Foundation. Ms. Bouterse's solo performances have been praised as producing "sweetness and gentility," "fully-realized character," "exquisite mastery of pitch and nuance," and "the clarity of Purcell’s melodies."
Under the direction of Prof. Bouterse since 2016, Parkside Range has been the flagship ensemble of the Contemporary Commercial Music - Voice program. The group has appeared at SoJam’s A Cappella Festival, the National A Cappella Convention, Tall Tales Music Festival, A Cappella University, and on Acaville Radio. The group has worked with professional clinicians and vocal bands such as Tony Huerta, Edge Effect, Six Appeal, Freedom’s Boombox, and Christopher Diaz.
Prof. Bouterse received voice and opera theater performance degrees from the University of Wisconsin – Madison and Carnegie Mellon University respectively. In addition, Ami earned Level III Certification in Jeanne LoVetri’s <i>Somatic Voicework™</i>, which featured contemporary commercial music vocal pedagogical technique at Shenandoah University. On a recent sabbatical, Prof. Bouterse completed a Master of Science in Communication Sciences and Disorders from Emerson College for licensure as a speech language pathologist, which allowed her to specialize in habilitation and rehabilitation of vocal function, and learn effective teaching and learning strategies for motor planning, linguistic and cognitive skills required for singing.
His most recent recordings, Meeting Point (Relay Recordings) and Still Out To Lunch! (Enja Records) received 4 1/2 & 4 stars respectively from Down Beat Magazine and appeared on many “Best Recordings of 2014/5” lists including Down Beat, the Chicago Tribune, Chicago Reader, NYC Jazz Record and Magnet magazine. Russ will be releasing a new recording by his “Headlands” Quartet in 2017.
Russ is also active as an educator/clinician, having taught at colleges and universities across the U.S. and Europe. He currently serves as Director of Jazz Studies at the University of Wisconsin Parkside where he won the university wide “Stella Gray” Teaching Excellence award in 2016 as well as the 2020 Research and Creative Activity Award.
Her university bands have been selected to perform at several College Band Directors National Association and National Association for Music Education conferences. She has also led high school band programs in Massachusetts, Illinois, and Minnesota. Rexroth has guest conducted district, regional, and all-state bands in several states, as well as the Valley Festival Brass, the U.S. Army Field Band, the United States Military Academy Band, the Colorado Intercollegiate Band, the U.S. Army Band, the U.S. Army Training and Doctrine Command Band, the Tactical Air Command Band, the Wheaton College Conservatory of Music Symphonic Band, the National Band Association-Wisconsin Chapter Intercollegiate Honor Band, the Virginia Symphony, and the St. Olaf Band. She has also been on the conducting faculty of the Hooked On Bands/New Horizons Band Camp in Door County, WI.
Rexroth did her studies in music education and conducting at St. Olaf College, Northwestern University, Indiana University, the Aspen Music School in Colorado, and the International Conductors Workshop in Zlin, Czech Republic. Her conducting teachers include Miles Johnson, Steven Amundson, John Paynter, Ray Cramer, David Effron, and Paul Vermel.
An advocate for new music, Rexroth has commissioned and conducted works from numerous composers, most recently Shuying Li, Jennifer Jolley, Jodie Blackshaw, Tim Mahr, Ryan George, James Crowley, Daron Hagen and Anthony O’Toole. She has taught conducting workshops in Missouri, New Hampshire, Virginia, Wisconsin, and Massachusetts.
Rexroth enjoys collaborating with colleagues and guest artists, including Gaudette Brass, Ed Shaughnessy, JoAnn Falletta, Paul Vermel, Steven Bryant, David Bayles, Russ Johnson, Ami Bouterse, and Jana Batty. In addition to regular concerts, Rexroth’s bands have performed for numerous special occasions and guests, including Jane Goodall, Warren Burger, Lady Margaret Thatcher, and HRH Prince Charles.